Album Review: Nine Inch Nails “Add Violence” EP

Nine Inch Nails Official Store

(image source: store.nin.com)

I am overwhelmed by the music being released this year already…so much I love and so much to look forward to.

One album soon to be released (July 21st, Friday) is Nine Inch Nails ADD VIOLENCE EP.

Two songs have been released already to the public LESS THAN and THIS ISN’T THE PLACE. The latter song was put up just yesterday on NIN’s official youtube channel. The song is melodic, slow and infectious. The video features a machine (audio equipment?) with knobs/buttons/lights labeled phrases such as ‘Amplify Chaos’ and ‘Add Violence’, as the song goes on the camera slowly pulls back revealing more of the machine.

The video is simple and after I viewed it for around the 50th time (not kidding) a few ideas came to me. I have long loved NIN and have worshiped creations by Trent Reznor. His lyrics and technique in song writing is extraordinary. Reznor often critiques society/politics and inner turmoil among other things in his song lyrics (think album YEAR ZERO).

A connection between Year Zero and ADD VIOLENCE is definitely there and NIN has given information about this. Info in article here.

My impression from the video might be a bit of a stretch but this is what I got, old machine (audio equipment of some sort, I’m guessing) appears aged and beaten up a bit but everything appears to ‘work’ as the machine turns on and comes to life. The machine could be a metaphor for a society that still runs on ‘old technology’ or ideals (phrases on buttons/knobs). A reference that comes to my mind is the machine in the underground facility in the early 2000’s TV show LOST. I’m not sure if this is audio equipment but if it is then my idea of a society that runs on ‘old technology or ideals’ could be the spoken word/thought process that is ‘old/archaic’ and still being used today. A bit of a stretch yes but that’s what I think of.

A few thoughts on the video for LESS THAN. Video begins with a woman staring at a TV screen with game controller in her hands (TV looks like an old chunky TV from the 90’s or early 2000’s) a neon bright animation is shown on the TV screen similar to a retro video game from the ’80’s . Lyrics are digitized and zoom up into the viewers face. This reminds me of virtual reality and societies trends today that revolve around the style and technology of past generations. It is as if the woman, in the video, is being consumed by this ‘new/old’ technology until her identity becomes nothing. The repeating line at the beginning of the chorus, “So what are you waiting for? You got what you asked for.” brings to my mind the idea that millennials (myself included) demand more of everything and for a generation that is overloaded with technology in their life, most of us get sucked into a ‘virtual reality’ of what ‘life is like’ (how people look, what people do, who they are etc. think social media/fashion trends and airbrushing photos for flawless skin). The end of the video has quick shots cut in of what I think is a hand reaching out of the TV…reference to VIDEODROME? Not sure but that’s what comes to mind.

(VIDEODROME (1983) photo source: imdb.com)

 

To sum it all up, I am excited for this new release from NIN and will be purchasing a digital copy and most likely a vinyl copy as well for my collection!!!

Please feel free to leave any comments below!

Thank you for reading my writing and I hope you return in the future!

-Alina

 

p.s. I haven’t started watching the new season of Twin Peaks yet but damn NIN on the show is wicked, see video here.

 

Freehand Poem #42

Heat’s driving me up a wall, can’t wait for autumn.

Here’s something silly.

 


Fur and whiskers, a deep purrrrr. The body is soft

and lumpy on the chair. Why do you bellow so loudly at night?

My do you look up and away whenever I talk to you.

The attitude of a cat…


 

If you are reading this Thank You for taking time out of your day to read my writing!

I hope you will return in the future!

-Alina

Cowboy in the Desert: Flash Fiction Series #8

Cowboy in the Desert

by

Alina Happy Hansen

 

He looks to the sky, the sun burns. The blue lake glitters in the distance. The sound of coyotes somewhere nearby. The gun is heavy on his hip, and his boots are full of sand. He takes a step then another. His chapped lips, cracked and bleeding. Hands limp and lifeless hanging in defeat. His horse dead, miles back, its black eyes shine in his mind as he shot it lying on its side dying of thirst. If he could just make it to the blue lake glittering in the distance.


 

If you are reading this Thank You for taking time out of your day to read my writing!

I hope you will return in the future!

-Alina

iZombie: Why the Living Dead matter

iZombie Poster

(photo source: imdb.com)

iZombie is a series based on the DC comic of the same name originally released in 2010. The TV show began in 2015 and is still running. There are currently four seasons out but I will be covering just the first three. The main premise of the show is about an underground existence of zombies in Seattle, Washington. Their existence was the result of a energy drink (similar to toxic sludge) at a 4th of July boat party turned massacre.

The main character is Olivia, a med student who is newly engaged to Major (Major what? No, his name is Major) after being scratched by a zombie on the boat. Olivia’s (also called ‘Liv’, lol pun on Live) life dramatically changes as her skin and hair loses color and her craving for brains (dowsed in hot sauce) becomes more voracious. Liv becomes a medical examiner, coroner, for the police department allowing her access to fresh brains which she consumes in secret. Her partner, Ravi, also works as a coroner and quickly discovers her eating brains. Ravi’s reaction is the first of many markers in the show that makes it unique for the zombie genre. Ravi is intrigued by Liv’s condition and begins researching the cause for her zombification as well as a cure which is the overall goal for the entire series.

The next character that plays a major role in the series is Clive Babineaux, a detective at the police department. This is where it gets interesting. In this story, after a zombie eats a humans brains they have spontaneous visions belonging to that person. So, after Liv eats the fresh brains she finds in the morgue, suddenly she begins to have visions that relate to the victims death. She is compelled to help solve mysteries relating to homicides and soon teams up with Babineaux who is led to believe she is a psychic with incredible accuracy. The duo begins to solve mysteries, some of which are related to the mysterious energy drink that caused this secret zombie outbreak. Along with Ravi’s help, these three find themselves getting closer to the truth.

Other Key Characters:

Peyton, Liv’s best friend who works for the legal system, learns that Liv is a Zombie.

Major, Liv’s ex-fiance that struggles with a changed Liv and later learning of her Zombification.

Blaine, a ‘Spike-like’ character reminiscent of the Buffy the Vampire Slayer TV show, who is refreshing, evil (at times), and highly manipulative. An admirable adversary for Liv.

These characters are interwoven throughout the story and play out their own particular story lines that contribute to the overall story as a whole.

Key aspects that bring something new to the Zombie genre:

Eating brains gives you visions.

There are zombies already among us, living in secret.

There are zombie-led organizations that influence the lives of humans and zombies.

Zombies are presented as individuals, or together as a minority group under attack by humans. For the most part the zombies try to blend into society in fear that their discovery will lead to their death (‘death-death’ for the living dead: beheading etc).

Although some of these aspects may already be in other comics/movies/tv shows, I believe it is the approach that gives iZombie its uniqueness.

Key aspects about the show that stand out:

There are comic-book qualities to the show, for instance, the memorable intro that is presented as comic book panels, chapter breaks that are marked by a still of the last shot which morphs into comic-like art, and the precise structure of each episode that is form fitting to a comic in a series.

iZombie possesses qualities that can mark it as a meta-show, the show’s ability to be self-reflexive. For example when characters discuss zombie movies/shows within itself while hinting at a critique of iZombie (I noticed this more often in Season 3).

A killer soundtrack, often songs are sung and performed by the character Blaine throughout the series. They are mostly classic rock hits among others but the songs add a little more ‘art’ to the show. Often the songs are sung/played at the end of each episode to gain an emotional effect from the audience while also reflecting what just happened.

Popularity:

iZombie ranks #3 on imdb’s list of “Most Popular ‘Based on Graphic Novel’ Titles”.

This show has high ratings and a lot of admirers for its style and subject matter. I among them find this show to be very well put together and genuinely intriguing to watch. I look forward to watching Season 4, especially after the the end of Season 3 which left me aghast.

(Note: Contrary to professional movie/tv show reviews, I did not include the actors/actresses names after introducing the main characters. I have included the link to imdb.com that possesses all this information. This is just me writing informally.)


 

Thank you so much for taking time out of your day to read my writing!

I hope that you will return in the future!

Any comments/suggestions are welcome!

-Alina